The Untitled Workers Club. The biggest creative club of the world.
Salvador Dali created the emblem around the logo of Chupa Chups (clearly inspired by ours). Wim Mertens’ ‘Struggle for pleasure’ was used for 15 years by Proximus. Irving Penn came up with the style Clinic Beauty Products still uses today. There are countless examples of moments where artists, musicians, photographers, designers or performers got involved to differentiate brands. Depending on your own story we can connect creators into the thinking, creation and execution of your brand narrative. For the Ostend Ensor Project we worked with artist Athoz Burez. For Visit Flanders world famous scent artist Peter de Cupere developed 3 different perfumes. For other projects we worked with Belgian musicians like Glints and Amatorski, filmmakers, writers, architects and other artists. Have a look at the untitled work page and check out our cases.
Artists may be inspiring, but it sometimes takes even more talent to find, encourage and commit them to a project, a budget and a deadline. We see it as our responsibility to help out the next generation of artistic talent in finding the common ground in art and advertising. We relish creating opportunities for new talent by building bridges with brands. It seems more important than ever in times when it’s hard to showcase new work and get your name out there.
Our club is always open for new members.
Over the last decade, the marketing environment grew more complex. There are more channels than ever, and even more ways to manage them. Clients adapted, rightly so, they integrate some of these newer key marketing competencies into their team. Like the International worldwide social media community manager or the bottom-of-the-funnel office director, to name a few. We actively encourage this new norm and live by it.
We don’t have walls (account managers) between the client, the other suppliers and us. Some of our clients even consider us part of the team. When the client is unable to appoint a much-needed specialist, we can rely on friends of our club to step in. As was traditionally the case with photographers, directors, and illustrators for many years we now also cover all digital skills.
From left to right: Margot, Sana, Arnar, Dennis, Bert, Maarten, Lies, Visitor, Gwenn, Sam, Lampadair, Christophe, Romy, Vliesklack.
Nothing inspires and invigorates like art and culture. At Untitled Workers Club we reimburse every cultural event ticket: opera’s, expositions, jazz concerts, speakers corners, book festivals, design shows, etc…
Founders Christophe Ghewy and Gwenn Nevelsteen.
Christophe was founder and creative partner of LG&F (now Famous Grey). The agency was named Agency Of The Year 5 times. After 15 years it was time to move on, and together with Gwenn, who had a lot of experience in PR and architecture communication, they started Bowling Brands. In its first year Bowling Brands was awarded design agency of the year and in its second year best newcomer agency. Almost like natural selection, the client list evolved to one with more cultural brands: Visit Flanders, The Year of Van Eyck, Kanal Centre Pompidou in Brussels, The cityfestival Knal in Leuven, Ensor & the Baths of Ostend, Rubens versus Facebook and Museum M. It is was small step and an easy decision to dive completely into culture and cultural branding. It felt like the right thing to do and the right time to do it. The world was hit by Covid-19. And no other industry took a beating quite as hard as the cultural sector. We want to help it move on from just surviving to hitting back with a big bang. So here we are: Untitled Workers Club.
Gwenn Nevelsteen & Christophe Ghewy in their Antwerp apartment.
About art and culture.
Culture has always been at the centre of our beliefs. We collect contemporary art by young Belgian artists. Instead of going on a team building ski trip, we go to the Biennale in Venice.
We are currently launching 'Rubey', a digital platform for fractional ownership of masterpieces. And we’re working on 'culture for culture', a facilitator platform that makes culture top-of-mind.